Monday, February 14, 2011
Greg Ginn - Let It Burn Because I Don't Live There Anymore - Vinyl album by Ex Black Fkag guitarist on Cruz Records
Let It Burn marked Greg Ginn's third solo release in less than a year, following an extended period away from the spotlight to run his SST, Cruz, and New Alliance labels. (Only figures like Frank Zappa approach such prolific drive.) As is true of his other solo albums (Getting Even, Dick), the emphasis is on raw, angular noise that sneaks up and steps on your expectations. Ginn's songwriting remains preoccupied with personal freedom and the ways people betray each other. A resigned misanthropy hangs over tracks like "Drifting Away" ("If you want the truth, you'll have to wait for that"), and "I Don't Want It" ("I can't stand the waiting anymore/I need you like a hole in the head"). "On a Roll" fires off an edgy declaration of intent, while the guitars sputter and snarl underneath the rhythm ("I don't wanna think I'm wasting away"). There's no love or escapism here. Ginn naturally vents his paint-peeling instrumental side. "Lame Hollywood Cop" is punked-out hip-hop driven by shuddering guitars and ferociously slapped bass. Ginn plays with a similarly percussive slant on "Military Destroys Mind/Body." "Exiled From Lame Street," on the other hand, effectively flicks between low rider-style funk and a stoner's crawl to make its mournful point -- with plenty of squawking leads to match. On the minus side, this album's not as distinctive as other Ginn offerings. A nagging sameness dogs the arrangements -- "Lame" pops up in three titles -- and Ginn's vocals are workmanlike at best (when you can hear them). Students of the rapid-fire, dirty-bottomed guitar chunk that characterized his Black Flag days will probably appreciate Let It Burn most.
Greg Ginn - Let It Burn Because I Don't Live There Anymore - Vinyl album by Ex Black Fkag guitarist on Cruz Records
Evil Mothers - Crossdresser - Vinyl LP on Invisible Records
The industrial noise band Evil Mothers formed in Texas in 1990; comprising frontman Curse Mackey, guitarist Jason Ucab, bassist Patrick Sane and drummers Roland Bobles and B.O.B., the group released its debut album Crossdresser on the Invisible label two years later. After returning in 1994 with Pitchforks and Perverts, the Evil Mothers headlined the Invisible Route 666 tour, which also featured labelmates Psychic TV; in 1995, Mackey also toured as a member of Pigface, returning to record the I Love Fur EP in 1996. The full-length Spider Sex and Car Wrecks followed a year later, and in 1999 the Evil Mothers resurfaced with Beatings--Incriminating Fruit.
Evil Mothers - Crossdresser - Vinyl LP on Invisible Records
Christian Death - Iconologia - Cassette tape on Triple X Records
In the middle of pursuing his various goth/glam efforts and using the Christian Death name even while Valor Kand was still leading his own version of the group, Rozz Williams finally did the right thing and got the original lineup back together again for a one-off concert. Well, almost original -- bassist James McGearty sat it out, replaced by one Casey, but otherwise it was Williams, Rikk Agnew, and George Belanger together again, with Rikk's brother Frank adding some guitars as well. Iconologia captures the end result, logically concentrating on Only Theatre of Pain material but with a few ringers as well, including two honest-to-goodness new songs by this particular lineup. Casey actually gets the first word with the introductory "Excommunicamus," a collage of samples that purees everything from sex squeals and church choirs to invocations of Satan and destruction, but after that it's full-band business galore. Kicking off like Only Theatre did, with "Cavity -- First Communion," the revitalized quartet tears into everything with the appropriate punk-inspired energy. Williams wisely doesn't try to replicate his 1982-era singing, instead favoring his higher, clearly Bowie-inspired quaver and jettisoning the bored moaning; he sounds like he's having the time of his life. Agnew shows no slack either, cranking out some great, freaky solos when he's so inclined, while Casey and Belanger keep the band and enthusiastic crowd moving. When it comes to the new songs, "Cry Baby" makes for a nicely fried glammy treat, while "Some Men/The Other" is even more so, an explicit early Bowie tribute that works wonders. In a telling homage to roots, Lou Reed's excoriating "Kill Your Sons" gets a strong runthrough, accompanied by an amusing intro from Williams.
Christian Death - Iconologia - Cassette tape on Triple X Records
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